Love, 1895 by Gustav Klimt. Klimt's second portfolio of work for Gerlach's Allegories and Emblems included a representation of Love, for which this painting was the model. Rather than a simple depiction of a pair of lovers, Klimt has broadened the context to …

Gustav Klimt painted the picture “Love” in 1895. It belongs to the early period of his work. A simple at first glance, the plot upon closer examination is not so simple. Hero-lover looks dangerous and ruthless, almost like demons from the paintings of Vrubel. The girl is drowning in his arms, as if ready to die in them without looking back.

Love (1895) by Gustav KlimtWien Museum The careful studies of a dreamy-looking child and a cross-eyed old man are linked to the mysteriously illuminated heads symbolizing the stages of life at...

The artwork entitled “Love” by Gustav Klimt, created in 1895, is an oil on canvas painting that reflects the Symbolism art movement. The piece, with its dimensions of 60 x 44 cm, is categorized as an allegorical painting and is housed at the Kunsthistorisches Museum in Vienna, Austria.

‘Love’ was created in 1895 by Gustav Klimt in Symbolism style. Find more prominent pieces of allegorical painting at Wikiart.org – best visual art database.

Symbolist themes played an important role for Gustav Klimt, particularly between the years of 1895 and 1915. Many of Klimt's pictorial motifs revolve around growth and decay in human life,...

Klimt submitted this 1895 oil on canvas for inclusion as an allegory of love. In his rather thorny depiction, Klimt explores the darker side of romance. The formal elements create a sensuality and dreamlike mood in which the pressing of flesh and gauzy fabric amid musky flora and fauna is as palpable as the misty atmosphere.

From penniless unknown to the famous creator of The Kiss, get to know the contradictory life of Gustav Klimt

In 1895, Klimt painted "Love". It is one of the works, which can be clearly seen a radical change of style to modernism. The influence of Impressionism and Symbolism can also be seen in the artist’s new style. At first glance at the picture it is perceived as a picture of idealized happiness. Before us is a couple in love.

Klimt’s new stylistic development is most clearly visible in the oil painting on which Allegory of Love is based. The painting follows a strict structure of compartments, as they would later also show in the drawings. The principal compartment is framed by two narrow golden marginal fields adorned with roses, the symbol of love.