In the first half of the 16th century, German dress varied widely from the costume worn in other parts of Europe. Skirts were cut separately from bodices, though often were sewn together, and the open-fronted gown laced over a kirtle with a wide band of rich fabric, often jeweled and embroidered, across the bust.

2024年7月18日 · 16th century German fashion is a testament to the cultural and social currents of its time. It was a period of innovation and grandeur, where clothing was not just about covering the body but making a statement. From the intricate slashing and puffing techniques to the robust doublets and elegant gowns, every garment told a story.

The half-length portrait of Katharina Merian, attributed to the German artist Hans Brosamer, is an exemplary painting of German women’s fashion of the early 16th century. 1540-1549 In the 1540s men’s doublets begin to emerge from under to outerwear and their hose increase in volume, beginning to assume a melon shape.

2019年6月22日 · Men’s fashion of the 1530s was dominated by the broad-shouldered silhouettes made iconic by King Henry VIII. Women’s fashion showed greater regional variation, with Italian women establishing trends that would soon spread to the rest of …

2013年4月13日 · Fashion of the first third of the 16th century. Renaissance fashion of German patricians. On the history of costumes.

Costume examples focusing on France, England, Germany and Italy in the 16th century. Clothing of the aristocracy, the military, citizens and peasants. Outline of the historical costume of the 16th century

When looking at the different style of clothing to chose from when doing renaissance Germany the sumptuary law is a good way to start. The german society were divided into classes, with different rules for clothing for different classes.

Fashion in the period 1550–1600 in European clothing was characterized by increased opulence. Contrasting fabrics, slashes, embroidery, applied trims, and other forms of surface ornamentation remained prominent.

2019年6月11日 · German fashion was, at the start of the decade, the opposite of subdued. Lucas Cranach the Elder’s portrait of Duke Henry the Pious (Fig. 5) features the most intense application of slashing and pinking seen in portraiture. His red silk doublet is pinked to reveal the contrasting yellow underlayer below; his hose have both large horizontal ...

Gowns of early 16th Century German-Saxon gowns made popular by the paintings of Lucas Cranach the Elder. In this, and several consecutive paintings, you can really see the white gloves with the slashing at each finger - except the middle finger!